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Marketing & Media947 Joburg Day 2026 transforms into a cultural playground with all-star line-up
Primedia Broadcasting 22 Jun 2026
Pantone has picked rose quartz and serenity as the colours of 2016. How do you think these colours will be reflected in fashion in 2016?Designers such as Miuccia Prada, Dolce & Gabanna and Armani showcased signature designs in powdery pastel hues during 2015 Fall/Winter Runway collections, which included blush pink and baby blue, ushering in a strong statement about gender fluidity and meta-modern femininity.
![[BizTrends 2016] Fashion forward](https://biz-file.com/c/1601/326705.jpg)
I don't propagate the notion of the must-have item; instead I pay attention to the shift in the spirit of the times. On my radar:
Wearable tech is very much part of the times we live in, but still in its early stages of development. For now, the areas of exploration include accessories such as the Apple Watch and DvF Google Glasses, and high-tech fabrics in fitness and health areas.

A large portion of consumers will still be influenced by pop culture and social media going forward. There is a counter movement though; sceptical of pre-packaged looks, aspiring to free-thinking aesthetics and curated self-expression.
The Neo-Trans movement (also core to the choice of the two Pantone colours blue and pink for 2016) embraces the notion of gender equality and an acceptance of style without gender boundaries, and creating a new Trans-gender style fluidity. More designers are showing men's and women's collections in tandem, honing this 'identity'. The Adriaan Kuiters + Jody Paulsen SS16 Collection is a perfect example of this innovative and trailblazing approach to style.

Last year an article in BOF reported that second to oil, fashion and textiles is the most polluting industry. With fast fashion and mass consumption and production driving the profit margins of big fashion corporations, I remain sceptical about the implementation of a much-needed conscious fashion consumption philosophy without the implementation of international regulations.
Not much. We still have a long way to go to educate consumers about the attributes of custom design vs the slavish following of commercial trends.

I believe we now operate in a global trend village that is highly accessible to the local fashion consumer via online shopping and international retailers and brands now trading in South Africa. It does have an impact on the resourcefulness and pride of developing our home-grown style aesthetic and narrative.
The possibility is strong but our economic climate perhaps gives a reality check?
Online retail is on the rise and a very functional shopping option, but devoid of a curated experience that most discerning shoppers prefer. A key differential and benefit is the access to a 'clothes for all seasons' approach that stimulates real-time shopping vs seasonal shopping.
