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Although it probably seems obvious that music can evoke emotions, it is to this day, not 100% clear why. But scientists put it down to that music has been culturally created to sound like an emotionally expressive human. While it is not easy for us to see the human ingredients in the modulations of pitch, intensity, tempo and rhythm that make music, perhaps it is obvious to our auditory homunculus.
Sound is already used extensively in events, but it’s the next frontier in terms of experience design because of it’s focused, visceral, interactive and efficient.
At the recent launch of the Isuzu brand in Port Elizabeth, sound was used to add ‘oomph’ to the great reveal. The brand’s theme music, which is Japanese in style, morphed into an unexpected hip-hop track. By adding the unexpected you create the wow and build anticipation. Using technology, including the placement of speakers, you can bring a creative idea to life. Event directors can impregnate the live, in-person visual experience with far more meaning by using sound and acoustic trickery, compared to relying purely on visuals.
There is semiotics to sound. Strings convey warmth and scale, trumpets sound triumphant and so on. If you watch the BBC News, take note of the opening theme, there’s urgency created by the rhythm, the gravitas of the coming content is highlighted with a degree of importance through trumpets and scale with the strings.
So how do you pick the right music?
There’s no formula, you simply have to consider what you’re objective is, the occasion, the visual it’s connected to, the desired ambience and then sift through the right genre to find the right fit. Sometimes it may take more than just one kind of music to create the desired mood. For instance, the music for an event might follow something like this:
So next time you pull an event together, don’t just play your favourite music, think about what you’re looking to achieve, how you can flip the expected on its head, and enjoy searching for music that gets emotions flying.