Events & Conferencing Opinion South Africa

Why a 'good brief means no grief' for both photographer and event organiser

When it comes to important corporate events, in my 33 years experience as a professional photographer, I've realised that not every PR or event organiser realises the importance of giving a good accurate brief to the photographer they commission for the job.

Don't get me wrong, some of my best friends are PR's, but often they have so many other things to worry about that they simply don't know how or WHAT to brief a photographer before that all-important event.

Preparation

Even though I always spend time preparing all my equipment before each shoot to prepare for any eventuality, it would make things easier for everyone if a corporate client spends a few minutes compiling a brief and sending it to me beforehand, ideally at least one week before the actual event.

I don't pretend to know everything about events, but from a photographic point of view, I am usually more tuned in to what makes a good photo than the person who sends out the brief.

Sending out a good brief beforehand is important because it enables me to advise the event organiser on important photography-related issues, so we can decide together if any changes or improvements need to be made before the event takes place.

Here's one example: do you know whether the planned placement of an outside podium for your guest speaker is ideal to take photographs? It's important to know whether this will place the speaker in full sunlight, or a combination of both shade and sun that may cause unflattering facial shadows.

Some items on my wish list may seem obvious, but many of my corporate clients don't provide this information. Here is what my own brief 'wish list' would look like:

  • Date and venue.
  • Start and end time, i.e. expected duration.
  • Approximate number of guests.
  • Guest list (I'm not being nosy, but you may have a couple of VIP's on your list and that is really important to know when I'm looking at photographic opportunities.)
  • What is the purpose or aim of the event?
  • Will there be any surprise moments that will happen during the event? (Yes, I do need to know if your CEO is going to leap out of a huge cake or abseil down your new building!)
  • Approximate running sequence of the event programme.
  • Do you have a band or musical performer? If so, what is the scheduled duration of the performances?
  • Will I need to take pictures of large groups (15 or more people)? If so, it's important to view the venue beforehand and see where you want these pictures to be taken.
  • Are there any special moments that I need to be aware of and who needs to be in the picture? (Think cutting a ribbon, an award ceremony etc.)
  • Do any of the images need to be downloaded to websites or emailed to the media at the event?
  • Who will write down the details of guests' names that I photograph? Will I need to do this or will you do it yourself? Alternatively, do you know everyone that will be attending?
  • Delivery date - when do I need to deliver all the photographs?
  • Lastly, is there anything unusual about the actual location I need to know about? If the event is to be held in a remote area at the top of a mountain or down a mineshaft, it would help that I know what to expect.

  • Knowing the location is especially important. Wherever possible, I like to do a 'recce' of the venue beforehand and to know where the most important pictures will be taken.

    It is very helpful if you can advise on what props or angles I can use to enhance your pictures as much as possible. Enhancing the quality of photos in this way is especially important if you want your event to get some media exposure.

    Getting the best results

    Here is why having a good brief before the event helps us both. You'll be getting useful photographic guidelines you may not have thought of and you are far more likely to get a better end result. I'll be able to plan the pictures better and use my knowledge of photographic angles and conceptualisation skills to shoot the best possible pictures.

    One of the things I'll be looking for is that one picture that encapsulates exactly what your event is all about.

    Remember that your whole function or event depends on the pictures you have taken, from capturing the important moments during the event, to the décor, layout and significant people attending it.

    Lastly, to ensure you are happy with the photographic aspect of your corporate event, I advise deciding on, and booking your photographer at least one month before the event. The last thing you want to do is to leave this to the last minute and having to hire someone that is not equipped to do the job.

    About Peter Morey

    Peter Morey is highly regarded as one of SA's leading event, corporate and celebrity photographers. Peter has spent the past 23 years channelling his professional expertise in numerous fields. He has worked for numerous government and private corporate clients including Sun International, Estee Lauder SA, Young and Rubicam, the Johannesburg Stock Exchange, Peermont Group and more. Visit his site at www.petermoreyphotographic.co.za or contact him on 082 551 2323 for more information.
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