D&AD announces Pencil winners for New Blood Awards
This year, emerging creatives were invited to respond to a series of briefs set by leading global brands including Audible, BBC, Disney, Duolingo, Google Fonts, Netflix, Penguin and Snapchat. Covering a wide range of disciplines including UX/UI, animation, advertising, typography and PR, the briefs were designed to provide new talent with the experience of working on client briefs that tackled varying commercial challenges and social issues.
186 Pencils were awarded in recognition of the exceptional creative responses to these briefs, including one Black Pencil - the highest accolade - 27 Yellow, 46 Graphite and 108 Wood Pencils. Four White Pencils were also awarded for outstanding work that uses the power of creativity to do good.
Winning a Black, White and Yellow Pencil this year was stand-out entry Clout, created in response to a brief set by Do The Green Thing and Pentagram. As the detrimental environmental impact of fast fashion becomes more pronounced, this solution from Sam Pilkington-Miksa and Holly Killen from the School of Communication Arts 2.0 gives people the means to extend the life of their clothes through upcycling. By teaching people to sew and repair their own garments, Clout hopes to influence people to keep their clothes for longer as part of the fight against fast fashion.
Also responding to the Do The Green Thing brief, and winning a White Pencil, is The Conscious Merch. Sergio Del Hierro and Elena Casas Espejo from Miami Ad School Madrid created a new way of selling fashion that turns any pre-owned garment into merch by stamping these with eco inks. It is hoped that The Conscious Merch could help combat the impulsive buying of unneeded garments through the power of “fandom”.
A further White Pencil was awarded to Belong Here, created in response to the Google Fonts and HMCT brief. Will Engebretson and Flavio Arnizant de Zorzi from Miami Ad School New York created a graphically-led campaign that used typography to promote peace, dignity and universal human rights around the world, using Google's Noto typeface served as their inspiration. The result is a campaign showcasing how a technological achievement can translate into a humanitarian endeavour.
Winning the final White Pencil was Matthew La Croix from the School of Communication Arts, London, for his response to the Penguin brief. La Croix identified an opportunity for Penguin to create safe spaces for the LGBTQ+ community in the metaverse, by creating reading rooms dedicated to queer literature, as well as classic books. It is hoped the spaces will connect new audiences for the first time to amazing books and to each other.
The Pencils were awarded at the closing of this year’s New Blood Festival which took place from 11-14 July. The festival saw the event take place digitally for the third time and offered aspiring creatives a number of opportunities ranging from talks and insights which provided inspiration and practical tools, as well as boosting the year's top talent with collated graduate shows and portfolio showcases. Five in-person portfolio events were hosted by industry agencies in London, São Paolo, Berlin, Edinburgh and Liverpool, as well as 400 online 1:1 portfolio reviews taking place across the Festival week.
The winners of this year’s awards were celebrated during the New Blood Awards Ceremony, which took place virtually at 2pm on Thursday 14 July, with local watch parties encouraged. To find out more please visit the D&AD website.
Rebecca Wright, president of D&AD, commented, “D&AD is committed to nurturing the next generation of creative minds by bridging the gap between creative education and the creative industries and improving routes of access to the industry for young and emerging creatives. New Blood is a great example of that work in practice. Just last month, a winning brief from last year was commercially released by Kraft Heinz, for example. Having witnessed 181 winning pieces of work, chosen by 168 judges, from over 5000 entrants and sent in from 57 countries, I am excited that the next generation of creative talent is pushing the boundaries when it comes to applying creativity to live briefs and to addressing the big issues of our times. The fact that we awarded four coveted White Pencils this year is evidence of this and it has been a joy and a privilege to see this ambitious creativity first-hand.”
The full list of winners and their projects can be found here.
