With talk of 'diversity fatigue' and tokenism on the rise, it's time to take a new stand - this time for inclusivity. We've long heard from the behind-the-scenes actors and producers asking for better representation of the works we live in, in the movies shown to the world. Now, those behind-the-scenes at the box office are adding their voices to the call as the likes of Black Panther and Crazy Rich Asians prove the power of being more representative on film.
Reporting back from United Talent Agency’s Diversity Showrunner Panel in Hollywood last week, Deadline
As the word “diversity” becomes more of a buzz word and less of an action-oriented initiative in Hollywood, their stories seemed like something out of an HR training video on what not to do around people of colour, women, and other minorities.
All came to a head when they shared their stories of being a ‘diverse hire’ in a writers’ room — which is essentially filling a checkbox and a form of tokenism. This goes back to why the term ‘diverse’ starts to lose meaning and should be interchanged with inclusive, representative and authentic.
Tanya Saracho, who won a GLAAD Media Award for her groundbreaking intersectional Starz series Vida
, pointed out to attendees that the term ‘diverse’ should be used sparingly, and told agents in the room at the panel that the term “diverse writer” isn’t a thing.
Beware the tokenism of diversity, rather aim for inclusion
Similar to the well-meaning stereotypes that keep popping up in advertising, beware of meeting the ‘diversity tickbox’ if that doesn’t tap into inclusion.
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“You can have a diverse room, a diverse duo, but not a diverse writer… I know it appears to be a good shorthand — but it doesn’t mean anything,” said Saracho.
Instead, the panel proposed writing programmes that promote inclusion rather than diversity as a necessary first step.
It’s not the first time we’ve heard of ‘diversity fatigue’.
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Putting its own money where its mouth is, UTA itself has just named current director of corporate communications Shanique Bonelli-Moore to the post of Executive Director of Inclusion
, a new full-time position.
Over-and-above leading the company’s commitments in regards to hiring, retention and promotion, she will work with clients to champion powerful and representative storytelling.
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It’s an important move, because when we think ‘diversity in film’, race representation often pops to mind first.
But true diversity would also represent the many other differences between people. That includes gender, political affiliations, religions and sexual orientations.
More diversity, more firsts, more money
It makes more business sense to do so than just being politically correct, though. With ticket sales for the last year having smashed previous records, CNBC
confirms that more diversity in film actually leads to more money.
Just take the likes of Black Panther
and Crazy Rich Asians
proving that films with a large minority cast can be successful globally.
Shall we discuss the giant black panther currently in the room? I have been keeping track of the production of Marvel's Black Panther for the last two years and the end result is beyond anything I could have imagined.
Charles Siboto 26 Feb 2018
First, let’s touch on the financial success of Wakanda winner Black Panther
Director Ryan Coogler is reportedly just the second black director to direct a film that has crossed the billion-dollar mark, and Black Panther
now holds the title for highest-grossing film by a black director, at $1.34bn at the global box office.
Since the #OscarsSoWhite tweet from a few years ago, there's been increased awareness of the lack of diversity, equality and inclusion in the global film and TV industry overall, but has there been any action? UCLA's just released 2019 Hollywood Diversity Report says yes, but not enough...
leigh andrews 25 Feb 2019
Then, based on the worldwide bestseller by Kevin Kwan, the Jon Chu-directed Crazy Rich Asians
has been dubbed as the “first all-Asian ensemble in a contemporary Hollywood film in 25 years,” and is also the highest-grossing romantic comedy from a major Hollywood studio in a decade and the sixth-highest-grossing romantic comedy of all time, bringing in $238.5m at the worldwide box office.
According to CNBC
, Chu said at CinemaCon's "State of the Industry" panel:
It has changed culture forever... Showing how Asians from all around the world are not the same and, yet, we are also the same. Constance Wu on the cover of Time, Awkwafina hosting [Saturday Night Live], Henry Golding as GQ's 'Man of the Year,' Michelle [Yoh] getting her own Star Trek spinoff... I'm still processing everything that's happening.
Proof that the film industry becoming more representative and inclusive of society is better for business in the long run.
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