It’s third time lucky for director Meg Rickards who had to postpone the release of Kaalgat Karel twice and can now offer filmgoers a ‘fun fliek’ that’s more needed than ever before, offering a funtastic romance with plenty of laughs.
It tells the hilarious tale of Karel Venter (Francois Jacobs), a thirty-year-old guy who loves the thrill and accompanying social media stardom of streaking during sports matches. He falls head-over-heels for the paramedic, Rita (Christa Visser), who saves him after a streak gone wrong, but there’s a problem; she’s a strait-laced single mom who has no interest in his streaking shenanigans.
Daniel Dercksen chats with with director Meg Rickards.
Writing a story about a streaker was my husband Paul Egan’s idea. He is a big sports fan and was fascinated about how streakers break all the rules and how much the crowd always seems to get behind them. What drives a streaker to hurtle butt naked across a field? It’s pretty carnivalesque and subversive!
We started looking at how social media works, and wanted to say something about how we live our lives through social media – for better or worse – and how we might miss real human connection. This was intriguing and drove us to tell this particular story. That and a desire to create something fun!
Paul and I sat and worked on the story together, from everywhere from our home office in Cape Town, to the Orange River to the Eastern Cape bush. We often got up at 4 or 5 am to grab some time together. I had more screenwriting experience so ended up getting the story into a workable structure, but Paul provided the inspiration for the story and its earliest outline, and we worked on it together every step of the way, including enacting the dialogue with each other! I can truly say we had a lot of fun…. It was a real labour of love and laughter.
Well, apart from the Eastern Cape weather, which wrought havoc with the schedule, four of our crew, including the medic and our director of photography, contracted tick bite fever. That was pretty hectic. Overall, though we had a great deal of fun, and despite the blood, sweat and tears, it’s the happy memories that remain.
The pandemic has been nightmarish for the industry, as it has been for just about everyone. We were most fortunate that our film was in the proverbial can by 11 March 2020 and then we stayed on in East London a bit longer or so to finish running a training programme for our interns – so we were still there when the first hard lockdown was announced. We dodged a deadly bullet for the production! We were fortunately able to carry on with postproduction through several months of lockdown… but then had to postpone the release of the movie twice.
We also had another production which was lined up which had to be delayed. Many production companies have closed down or are facing bankruptcy as with shoots having to close down when crew or cast have contracted Covid. It’s terrible for artists all round. Luckily, it seems that South Africans are now ready to go back to cinemas. Especially if one is double vaxed then it is definitely time to get out there a live a bit, especially in this coming lull between infection waves. There are also lots of safety measures in place in cinemas.
I think fewer and fewer films will be made for cinema. I think on the one hand, there is a wonderful array of choice with all the streaming platforms available. On the other hand, I think that there is a lot of mediocre work being produced as platforms scramble to attain enough content. So I think it’s a mixed blessing.
I don’t think we could have written a film that didn’t have some real “issues” at its heart. What really drove us was talking about the importance of real, genuine human connection. All the other themes you mention I suppose come out of that.
I hope they have a “lekker lag” and feel warm and fuzzy, and think – even subconsciously – about the human connections in their lives.
Our earlier films have all been much more serious and include 1994: the bloody miracle (2014) which I co-directed with Bert Haitsma, Tess (2016) and Atlantis (2021). These films have won a number of international awards and have been used as tools to promote dialogue around democracy, reconciliation and gender-based violence.
Kaalgat Karel is a much lighter fare but to our delight is doing very well on the international circuit, including winning four “Best Film awards” in Los Angeles, Moscow and two in the UK.
Kaalgat Karel opens in SA cinemas on the 24 September 2021.
Read more about South African filmmaking here.