Together, the insights show the breadth and depth of the impact that each year's Awards broadcast and the nominated movies have on television audiences; advertising; box office receipts; sales of movie soundtrack CDs; sales of books that the movies either were based on or that were created as companion products to the movies; and, in the case of "Sideways", one of this year's nominees for Best Picture in which wine plays a starring role, sales of the varietal highlighted in the movie.
Television Ratings (Nielsen Media Research)
The Academy Awards broadcast is one of the biggest television events of the year. According to Nielsen Media Research, last year's broadcast received a 26% average household rating with more than 43 million viewers who tuned in. It was the third highest-rated telecast behind the Super Bowl with a 41.4 household rating. The finale of Friends received a 29.6 household rating. In 1998, the Awards show received its highest household rating since 1983 with a 34 rating and 55 million viewers. That year, "Titanic" was named the Best Picture.
Academy Awards TV Ratings
Date
Net
Household Rating
Household Share
Number of Homes
Number of Viewers
2/292004
ABC
26
40
28,212,000
43,531,000
3/23/2003
ABC
20.4
32
21,769,000
33,043,000
3/24/2002
ABC
25.4
42
26,832,000
41,782,000
3/25/2001
ABC
26.2
40
26,800,000
42,944,000
3/26/2000
ABC
29.2
48
29,437,000
46,333,000
3/21/1999
ABC
28.6
46
28,466,000
45,615,000
Source: Nielsen Media Research
Advertising Expenditures (Nielsen Monitor-Plus)
Glitz and glamour surround the Academy Awards, when fans tune in to see what the stars are wearing. Just as the celebrities stand out on the red carpet, so do the commercials. Since 1995, the cost of a 30-second commercial on the broadcast has increased 114%.
Academy Awards Ad Cost Per 30 Seconds
Year
:30 sec cost
2004
$1,500,000
2003
$1,345,000
2002
$1,290,000
2001
$1,450,000
2000
$1,305,000
1999
$1,000,000
1998
$950,000
1997
$850,000
1996
$795,000
1995
$700,000
Source: Nielsen Monitor-Plus
Cadillac, Pepsi, and JC Penney have been the top three advertisers for the last three years.
A new Nielsen Monitor-Plus website (www.nielsenmedia.com/monitorplus/academyawards) contains a commercial database of the last two Academy Awards shows; it allows the occurrences to be sorted by ratings, brand, parent or creative. Next week, the website will contain commercials from the 2005 Awards.
Box Office Measurement (Nielsen EDI, a Unit of Nielsen Entertainment)
How much of an impact do Academy Award nominations have on the distribution and ticket sales for the nominated movies? Comparing the number of theatres showing each movie and ticket sales before and after the nominations were announced on January 25th shows significant increases in most cases.
# of Theatres
Box Office Receipts
Movie
Weekend Prior to Nominations Announcement
Weekend Following Nominations Announcement
% Change
Total for the Three Weekends Prior to Nominations Announcement
Total for the Three Weekends Following Nominations Announcement
% Change
"Sideways"
696
1,694
143%
$7,509,671
$15,476,889
106%
"Million Dollar Baby"
147
2,010
1,267%
$5,857,565
$28,228,059
382%
"The Aviator"
2,261
2,503
11%
$18,680,597
$17,649,513
(6%)
"Finding Neverland"
869
1,258
45%
$5,717,653
$7,575,138
32%
"Ray"
293
526
80%
$1,028,670
$1,136,615
10%
Source: Nielsen EDI
Movie Audience Demographics (Nielsen Cinema)
Nielsen Cinema, which measures the size and composition of the audiences reached by cinema advertising, took an inside look at the films "Sideways" and "Ray". The information is based on total moviegoers in the fourth quarter of 2004. The other three Best Picture nominees were in limited release at the time.
Both "Sideways" and "Ray" appealed to older audiences, with 86% of the total audience for "Sideways" 35 years and older and 63% of the audience for "Ray" 35 years and older. More than half (52%) of the total "Sideways" audience was 55 years and older.
Soundtrack Sales (Nielsen SoundScan, a unit of Nielsen Entertainment)
Nielsen SoundScan examined sales of soundtracks for each of the Best Picture nominees (the soundtrack to "Million Dollar Baby" will be available on March 1) as well as those for the movies nominated for Best Music (Score), comparing post-nomination sales with pre-nomination sales.
With its musical focus, it's no surprise that the soundtrack to "Ray" is outselling all others. Also, while an Academy Award nomination seems to have boosted sales of most CDs related to the movies, it did not help them all.
Sales of Movie Soundtrack CDs
Nominated for Best Picture
Composer and/or Artist
CD Units Sold Weeks Ending 1/9/05 - 1/23/05
CD Units Sold Weeks Ending 1/30/05 - 2/13/05
% Change
"Sideways"
Kent
1,076
1,686
57%
"Million Dollar Baby"
Eastwood
N/A
N/A
N/A
"The Aviator"
Various
4,787
5,154
8%
"Finding Neverland"
Kaczmarek
2,367
2,629
11%
"Ray"
Charles
65,298
137,905
111%
Nominated for Best Music (Score)
Composer and/or Artist
CD Units Sold Weeks Ending 1/9/05 - 1/23/05
CD Units Sold Weeks Ending 1/30/05 - 2/13/05
% Change
"Finding Neverland"
Kaczmarek
2,367
2,629
11%
"Harry Potter & the Prisoner of Azkaban"
Williams
2,358
2,065
(12%)
"Lemony Snicket's"
Newman
4,905
2,809
(43%)
"The Passion of Christ"
Debney
1,524
1,692
11%
"The Village"
Howard
1,444
1,967
36%
Source: Nielsen Soundscan
Book Sales (Nielsen BookScan, a unit of Nielsen Entertainment)
Each of the movies nominated for Best Picture was either based, at least in part, on a book or a book was developed in conjunction with the movie. Nielsen BookScan, which covers 75% of sales in the book industry, took a look at sales of books that are related to the nominated movies. Comparing pre- and post-nomination sales shows that all of the books increased in sales following the nominations announcement. In some cases, such as with "Million Dollar Baby," and the "Sideways" edition with a cover tied to the movie, there were large increases in sales.
Sales of Books Related to Nominated Movies
Book
Author
ISBN
Format
Relates to Which Movie?
Units Sold Weeks Ending 1/9/05 - 1/23/05
Units Sold Weeks Ending 1/30/05 - 2/13/05
% Change
Sideways - Novel
Pickett
0312324669
Paperback
Sideways
175
220
26%
Sideways - Novel (movie cover)
Pickett
0312342519
Paperback
Sideways
2,989
6,226
108%
Sideways - Shooting Script
Payne, Taylor
1557046557
Paperback
Sideways
310
375
21%
Million Dollar Baby
Toole
006081926X
Paperback
Million Dollar Baby
2,100
6,200
195%
The Aviator
Logan
1401359701
Paperback
The Aviator
250
260
4%
Howard Hughes: Aviator
Marrett
1591145104
Hardcover
The Aviator
700
755
8%
J.M. Barrie and the Lost Boys
Birkin
0300098227
Paperback
Finding Neverland
980
1,020
4%
Ray
Hackford, Foxx
1557046492
Hardcover
Ray
105
165
57%
Source: Nielsen BookScan. Note: Nielsen BookScan does not track sales of books through Wal-Mart, Sam's, BJ's, airports or libraries.
"Sideways" Impact on Wine Sales (ACNielsen)
In the movie "Sideways," wine plays a central role, with the main character extolling the virtues of Pinot Noir as he and a friend explore the wineries of California's Santa Ynez Valley. In a news release issued on February 21st, ACNielsen announced that while Pinot Noir sales have been on the rise for several years, the varietal has enjoyed especially strong sales since the movie came out in late October of 2004.
For this release, ACNielsen took a look at the major markets where Pinot Noir is gaining market share. Pinot Noir represents just 1.5% of all table wine sold through grocery stores in the U.S. However, for the 12-week period following the release of "Sideways," it is up two-tenths of a percentage point. The chart below shows the 10 major markets that have experienced the largest gains in Pinot Noir sales as a percentage of total table wine volume.
Volume Share of Table Wine Sales
Market
Pinot Noir Share of Total Table Wine Volume
Share Point Change Vs. Year Ago
NEW ORLEANS
2.5
+0.5
LOS ANGELES
1.6
+0.5
DES MOINES
2.1
+0.5
PORTLAND
3.1
+0.4
CLEVELAND
1.4
+0.4
SAN DIEGO
2.1
+0.3
SAN FRANCISCO
2.7
+0.3
BIRMINGHAM
2.5
+0.3
VIRGINIA
1.6
+0.3
CHARLOTTE
1.8
+0.3
Source: ACNielsen, grocery store sales,12 weeks ending 1/15/05
Another analysis will be issued in the weeks ahead which will examine the impact of winning an Academy Award.
Contacts: Nielsen Media Research and Nielsen Cinema - Matt Tatham - 646-654-8362 Nielsen Monitor-Plus - Anastasia Kerris - 646-654-8681 Nielsen Entertainment (EDI, SoundScan and BookScan) - Tiffany Graves - 323-817-1528 ACNielsen - Matt Bell - 847-605-5686
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