I think what is fantastic about the One Club board is that it ensures that there is representation from different regions. Chimamanda Ngozi Adichie, one of my favourite writers, talks about the dangers of “the single story”. She says that when people think of Africa, they think of it through the single lens of poverty, tragedy and hopelessness. What excites me is that is we have far better stories to share with the world – stories about our creativity that are different, rich and fascinating.
I believe that the notion of diversity is inherent to us on this continent. We’re native to it, and so it shapes who we are. We do things so differently here. We have unique problems and unique ways of solving them. I feel proud to be able to use my voice to bring that unique perspective and diversity to the board.
There are so many rockstars on the Board that I truly respect and am dying to meet. These are people that I’ve been admiring from afar, like Chaka Sobhani and Björn Stahl – he produced one of my favourite campaigns of all time – The Swedish Number.
I’m looking to reconnect with people I’ve met before like Richard Yu and Fadi Yaish and then, of course, I’m going to fangirl hard over Swati Bhattacharya because she’s hugely inspiring, poetic and has made some incredibly powerful culture-shifting work.
I’ve always been passionate about developing local, young creative talent. One of my main goals is to reinstate the One Club boot camps, which had unfortunately ground to a halt during the pandemic. Historically, these boot camps have been very effective at educating and mentoring young, previously disadvantaged creatives. They also provide an amazing arena for talent spotting. This allows us to harness and further develop young creative minds, to ensure longevity for our industry and a future that is transformed and vibrant.
I see the membership allowing me to share my voice to the ongoing mission of transformation, but now with international support. I believe that the combined brains trust on this board can give us access to new ideas and fresh perspectives. Through the relationships I will build, I hope to continue to uplift our industry, generate more interest in our brand of creativity, and ultimately attract investment into our creative economy.
I think it’s because we know struggle, we know how to defy the odds, and we know how to triumph despite difficulty. These qualities are inherent in our DNA and alive in our work. We are exceptionally resilient people, we take nothing for granted and we have the most endearing ability to find humour, even in chaos. I believe that this gives us an edge and a tone of creativity that is fearless and full of ingenuity and flavour.
Resilience. Adaptability. Kindness. We are still in unusual times, and so we must continue to adjust and find ways to uphold creativity because it is more relevant than ever before. True creativity is what gives us hope and the power to persist. But we need to be more human than ever before because it is what makes us a stronger collective force.
