Andrea Bocelli 'Music for Hope' is the biggest livestreamed classical music event of all time
Andrea Bocelli 'Music for Hope' performance - which was streamed worldwide from the Duomo in Milan on YouTube on 12 April 2020 - has made YouTube history.
This historic event reached over 2.8 million peak concurrent viewers, making it one of the biggest musical livestream performances of all time and the largest simultaneous audience for a classical live stream in YouTube history. The video received more than 28 million views from across the globe in its first 24 hours. Even prior to the stream beginning, more than one million viewers were present in the waiting room, in anticipation of the performance.
© Luca Rossetti, courtesy of Sugar SRL, Decca Records
An uplifting message of love, healing and hope
Bocelli’s ‘Music for Hope’ performance has since been covered in more than 100 countries worldwide, and continues to trend globally across YouTube and social media platforms. During the past 48 hours, it reached number one trending on YouTube across US, UK, Italy, Canada and throughout Latin America, including Mexico, Spain, Argentina, Bolivia, Chile, Colombia Costa Rica, Dominican Republic, Ecuador, Guatemala, Honduras, Panamá, Peru, Paraguay, Uruguay, Nicaragua and Brazil.
These figures make this event the biggest livestreamed classical music event of all time, as millions of all-ages and backgrounds, joined together remotely around the world for this special 30-minute Easter Sunday broadcast. The performance has now been viewed in excess of 35 million times since Sunday evening.
The event was a moving delivery of an inspiring programme of sacred music, amid the stillness of a city under continued lockdown. But behind the scenes, it was a remarkable technical feat to film and record the concert within the restrictions, as well as the time pressure to make the audio and footage available for access immediately afterwards. The aim was to deliver an uplifting message of love, healing and hope to the public through music, at a time when it was most needed – and it did just that. The recording was released digitally on audio streaming services within hours.
Bocelli explains: “I am moved and delighted to have received such an overwhelming reaction that has gone beyond our highest expectations. For an artist, yesterday’s event is the reason for the sacrifices of a lifetime; for a believer and a Catholic as I am, it was further confirmation of the benevolent smile with which the Heavenly Father looks to his children. It was an immeasurable honour and privilege to lend my voice to the prayers of millions of people, gathered in a single embrace – a small, great miracle of which the whole world was the protagonist and which confirms my optimism about the future of our planet. Thanks to everyone who worked in the shadows for weeks, from management to the record label, and especially to all of those who have shared this moment with us, to stay truly united.”
© Luca Rossetti, courtesy of Sugar SRL, Decca Records
Accompanied only by the organist, Emanuele Vianelli, Bocelli sang a carefully chosen selection of pieces, specially arranged for solo voice and organ for the occasion. This included the beloved Bach/Gounod setting of “Ave Maria” and Franck’s “Panis Angelicus”. Bocelli brought the stirring recital to a close with “Amazing Grace”, for which he was shown making his way out of the cathedral, in silence, and onto the steps facing a totally deserted piazza – an unprecedented sight for the national and international landmark – to sing the first verse completely unaccompanied. This was a moment of unforgettable poignancy.
Bocelli, with the foundation that carries his name, is currently involved in an emergency Covid-19 campaign. The Andrea Bocelli Foundation (ABF) has started a fundraiser to help hospitals purchase all the instruments and equipment necessary to protect their medical staff. It is possible to donate through the GoFundMe campaign or by contacting the Andrea Bocelli Foundation, by writing to gro.noitadnuofillecobaerdna@tnempoleved.