Subscribe & Follow
Advertise your job vacancies
Trending
Jobs
- Personal Assistant Plumstead
- Content Creator Cape Town
- Computer Lab Teaching Assistant Cape Town
- Personal Lines Insurance Administrator Pretoria East
- New Business Personal Lines Insurance Broker Pretoria East
- Commercial Underwriter and Administrator Centurion
- New Business Commercial Lines Insurance Broker Centurion
- Machine Learning Engineer Johannesburg
- Senior Data Scientist Cape Town
- Pre-owned Vehicle Manager Polokwane
Somewhere between heaven and hell
25 Jul 2011
It's the after party of the premiere of Ariel Dorfman's Purgatorio at the Baxter. The play was heavy. An overall haunting, claustrophobic and disturbing experience. Somewhere between the bar and buffet table, academics are having a philosophical discussion about morals. So for we normal human beings, the smoking balcony outside and wine means sanity. We all knew very well, a play doesn't get any better than this. And despite our division the collective reaction was: "sjoe" and "wow".
"Fuck! I'm jealous!" says a veteran actress, who asked for her name not to be published. The ash of her cigarette flakes as she throws her arms around and further exclaims: "I mean, how good was that?! I'm so happy to see work like this."
And the twist is ...
Written by Ariel Dorfman, directed by Fleur de Cap winner Clare Stopford and starring Dawid Minaar and Terry Norton, Purgatorio is set in an asylum. In this imaginary metallic, vacant and cold purgatorial institution a man and woman, who have done murderous wrongs to each other, are each assigned a "healer" to help them find redemption through forgiveness and accountability. Ah, but the twist is that they are both healer to each other, a fact neither knows as the healers are in disguise and may not reveal their identities. They are, therefore, doubly tasked with forgiving each other at the same time.
The tables constantly turn as the two argue, either as a vulnerable patient or as a healer with the power of setting a soul free. The story starts like a maze, twists itself in several knots and is like watching two able-bodied men trying to drown and save each other at the same time, depending on who's who and which facts are being argued.
Despite the food for thought this play is for academics, the general feeling is as instinctive as bile and sorrow. It rewards the viewer with a desire for redemption and a desire to see this thought-provoking play again.
