When the HIV/AIDS and the Media Project asked me to facilitate a workshop on sex and HIV in South African soap operas earlier this month, one of the directing team on Rhythm City, where I am head writer, volunteered that she's tired of listening to radio chat shows where people blamed perceived moral decay on the influence of soap operas. She thought that people who held that view didn't actually watch soaps themselves.
Some might agree with the caller to the talk show, but I know what our director meant.
Explicit educational component
Soaps in South Africa are, for the most part, very different to first world soaps, in that we regularly engage with social issues. Most creatives who work on soaps do this very consciously and are aware of the responsibilities they carry. I think the teams working on all the major soaps in South Africa could reel off a list of stories they have told that had an explicit educational component.
e.tv has just conducted an extensive research project into our viewers attitudes towards our show, and one of the key things our audience looks for from Rhythm City and appreciates about our content is that it educates them. We could debate what they mean by that, but it is very significant that the word is even mentioned.
I would be very surprised if it ever came up in similar exercises in first world countries, and, if it did, the producers would probably think they had a problem on their hands.
Sexual intrigue
However, I do think we have to admit that where the educative role that we play becomes very thorny is in the area of sexual relationships. Soaps rely on sexual intrigue. It is our bread and butter. Tales of sexual intrigue are not really possible without betrayals. Betrayal does not really have much weight unless someone is having sex with more than one person at the same time. So we have to be frank and admit that multiple concurrent sexual partnerships are very common in the worlds we create.
Soaps are fun, but they are also, whether they like it or not, major contributors to the national conversation around identity. They reflect back at ordinary South Africans a version of their lives. For many they are an important daily player within their lives.
I'm sure everyone has a version of why soaps enjoy the popularity they do. Mine is that they form an alternative community for our viewers. Our characters become friends to them, friends who they care about and whose intimate processes they have more access to than they do to their real-life friends and family.
And, as with the opinions expressed by their real-life community, the actions and opinions of our soap community have a real impact on the way they see themselves.
Overtly incorporated
There is a danger that the astonishing and growing prevalence of people having multiple concurrent sexual partners in the real world is linked to what they watch characters getting up to in their surrogate communities. Having more than one partner at the same time has now been identified as the major social factor contributing to the spread of HIV. The health risks involved in this lifestyle have to be overtly incorporated into the ways we tell these stories.
There is a reason that transgressive sex is at the heart of so many stories, and not only the stories on soaps. Sex is energy; it's life, it's the individual at their most exposed and intimate and therefore most at risk. This is what makes AIDS education so difficult to conduct, but it is also what makes us return again and again to stories that deal with sexual betrayal and intrigue.
We will never stop telling these sorts of stories to each other, nor would we want to. Our challenge as story tellers is to hold onto that part of these stories that makes them compelling viewing, but not lose sight of the other obligation that our audience has placed on us, to educate them.
• The HIV/AIDS and the Media Project is collaboration between Anova Health Institute and the Wits Journalism Programme. For more information, email Natalie Ridgard on .
Neil McCarthy has worked extensively in the broadcasting industry as a scriptwriter, director, producer, actor and presenter. He is currently head writer on e.tv's Rhythm City. Prior to that, he was resident creative for television production company Ochre Moving Pictures, creative director with Endemol South Africa and head writer on Mzansi 2, Gaz'lam, Zero Tolerance and Isidingo. He is a regular guest lecturer at the UCT Graduate School of Film and New Media. His annual screenwriting workshop takes place in Johannesburg from 31 October 2009. For more, go to www.creativeindustry.co.za or email .
I must say, ive been watching RC since the beginning and its can tell a story and educate in a way that you dont loose the story line, its part of it.
I didnt know the backstabbing thats happening in the music industry-im not naive but i never thought its that hard core and it also taught me not to judge the book by its cover.
With the recent drug abuse education, even my younger brothers where watching it and seeing what drugs can do to someone
It also opened doors for gay relationships now other soaps are following - which actually is good becuase why should we pretend like it doesnt happen and even though in some soaps it freaked me out, i kind of went - wow - wow
Congratulations to the creative writers of the soapies in SA. The SA Federation for mental Health would appreciate the incorporation of mental health issues in the story line as Stigma and Discrimination are the graeteat hurdles to overcome.People experience mental health problems daily due to the complexity of everyday life, yet very little thought is given to your mental wellbeing. The SA Federation recently had a media breakfast to educate the senior editors of the various media houses on how to report on issues of mental illness and wellbeing in a more positive manner so as to encourage people to speak out about their mental health concerns. Posted on 26 Oct 2009 14:59
In advertising - we battle stereotypes about the type of entertainment that will appeal to black middle class consumers. We are constantly told this audience is conservative, traditional, and takes things literal.
Thank you for an entertaining, intelligent soapie that proves these stereotypes wrong and does not patronise the audience the way soapies like Generations do. Posted on 26 Oct 2009 15:00
Although Neil is correct that sex and sexual intrigue is an integral part of life, he misses some of the point. In Southern Africa getting infected with HIV and also dying from this is also part of life. To not show the consequences of ones unsafes sexual networking in a soap contributes to the problem. HIV/AIDS is not a minor irritant that we can shrug our shoulders about - over 300000 people are dying in SA alone. The stress on our health services and budget are enormous. Whose responsibility is education around HIV? should we leave it all to the Soul City's and loveLife? People are well aware of HIV and they are also well informed about what they can do to prevent HIV, however changing social norms around sexual behaviour is critical if SA society is to survive the epidemic. Soaps often reinforce a norm of sexual networking with no health consequences. Who is responsible for changing social norms? Coming from a frightening era of denialism and moving into an era of committment by government and many players is it not time for Soaps to come to the party? Posted on 27 Oct 2009 08:01
I understand tha the soapie genre is much appreciated in this day and age (by a predominantly black audience who seek some kind of escapism) I think Neil would be better positioned as a Doccie writer instead of wasting his obvious talent on a genre that is down right laughable...come on neil...you're a grown experienced man! The Documentary genre could do with your talent, experience and expertise...leave this soapie story already!!!!! Posted on 6 Nov 2009 18:50
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