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Radio opinion

Radio needs to lose some control

11 Aug 2010 13:418 commentsBizLike
Radio in South Africa is about to face its toughest challenge: to go where it dreads. Radio bosses looking to position their stations and secure any measure of leverage within the increasingly crowded media game need to realise that evolving consumer trends are pointing towards an area that most of them fear.
Pure force-of-people power

Respected trends analyst Dion Chang is passionate about what is going to influence trends in the near future. He explains that we're about to enter a period of exciting uncertainty. Trends are going to be determined not by institutions or leading figures, but by the pure force-of-people power.

So what does this mean for radio?

Briefly, it means that radio stations are going to have to hand over a little control to their audience, and they're finally going to have to embrace the fact that things need to be a little more deconstructed.

All this is a little scary for radio, because stations thrive on control. Time is money, or more accurately, airtime is money, so they need to manage it carefully, which means keeping programming tight and structured. Suggest that they need to loosen up and be a little more creative and they start getting a little panicky.

Voices of authority

Radio stations also enjoy their place as voices of authority in their communities and are a little nervous about sharing that position, even if it is with those same communities.

But share they must.

Chang points to a near future where we will move from an era of control to an era of community, and to a shift in value systems. In radio terms, this means inviting the community into the broadcasting sphere. With consumers now active creators of content and becoming, in Chang's words, "more demanding and more vocal about the service and quality levels they expect", radio stations need to recognise the call of their consumers and give them an increasingly relevant voice.

So how can they do this?

So how can they do this? When I work with radio teams, I explain the necessity for presenters to reposition themselves as 'social networking hubs'. In short, this means they are no longer the sole creators and presenters of content.

To borrow a mining term, they now have to be 'beneficiators' of content. Using social networking sites doesn't mean simply having a presence on them.

They have to monitor the 'chatter' from sites relevant to their audience; be sensitive to the moods underlying the chatter; then take the raw expressions and process them into more structured opinions that they then share with their audience, continually aware of the emotional triggers that will initiate reaction. They must then allow their audience an opportunity to express their reaction, either via phone or SMS [and surely Twitter? - managing ed].

Connect to and with

If radio stations are to be relevant in the future, they mustn't broadcast to their audience; they need to connect them, and connect with them. To do this, there are two words that radio bosses need to imbue into their programming philosophy: 'honesty' and 'authenticity'.

They need to understand that life isn't a carefully scripted and edited Hollywood movie. It's messy.

Essentially, radio stations need to get real. There are many ways this can be done, but they can start by losing the 'jockspeak' and by roughening up the edges of their imaging.

Jockspeak is the radio version of a telesales pitch. It's the delivery of a stream of rehearsed content including station IDs, station promotions and competitions complete with contact details, generally imbued with false enthusiasm. It's also littered with clichés such as "up for grabs" and "hottest hits". Jockspeak is not real, and in a consumer environment that demands honesty, it is irrelevant; therefore, any link full of jockspeak is a wasted opportunity to connect with the audience.

Lacks honesty

I also still hear radio stations employing super-slick formatted imaging that mirrors the standard fair found on thousands of radio stations in the US back in the late '90s: lots of tightly woven electro stings and wooshes, washing over a smoky male or female voice breathing the station's name and ID. It sounds plastic and false, as if it were churned out from some factory in China. It therefore lacks honesty and any measure of uniqueness.

Another problem with 'super-slick' is that it flies by too quickly and disappears into the background, which is the broadcast equivalent of a black hole. If a station wants to connect with those listening, it needs programming to remain foremost in the minds of the audience. This can be done by breaking format and experimenting with subliminal imaging.

Timbuk3 once sang, "The future's so bright, I gotta wear shades." If Chang is correct, and my gut feel tells me he's spot on, radio could have a bright future; but it has to get real. It has to realise it is no longer the determinant of opinion, but needs to be the hub filter of the opinion of its audience; and that being continually super-slick is just a great way to be plastic and artificial.

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About Daryl Ilbury

Daryl Ilbury is an op-ed columnist, radio analyst and consultant who specialises in the critical arena of talent development. He is a veteran of over 20 years in breakfast radio, having worked for East Coast Radio and Talk Radio 702. He was also a 2011 MTN Radio Awards judge. www.darylilbury.com features an original, free online resource for radio professionals. Contact Daryl on cell +27 (0)82 445 8141, email and follow @darylilbury on Twitter.View MyBiz profile and articles...
Radioman
In other words-
In other words. Just keep it simple. Make the listener feel that you are just having a one-on-one conversation with them, sitting at a coffee table. All the audio production bells and whistles make it artificial. Agreed. Posted on 11 Aug 2010 14:11
Alwyn
5 keepin it real-
Hats off then to 5fm and Tuks fm, where the formats are involving and entertaining enough to actually turn up the volume. I do wonder, however, if 5 screens the callers - surely the listeners karrent all be that bright and cheerful? Posted on 11 Aug 2010 14:29
Glen
Puppet masters-
I've always been of the opinion that program managers are the puppet masters while the presenters are the puppets and it was purely due to this that I never pursued getting into radio - as much as my heart desired so.

Radio is way too controlled by these puppet masters who prevent, I'm sure, a lot of creativity by the presenters themselves. The only form of commercial radio that I still find compelling to listen to is talk radio (Cape Talk, 702) when I'm not listening to podcasts. Music radio has but long, long died in my opinion - the only place music radio has is in the backgound for people to hear something to fill the void of silence - not listen to actively.

Stations like 2Oceansvibe Radio is what commercial radio should strive to be one day. Will they get there? I'm afraid that it could take a long time and by the time the commercial FM guys catch up, internet radio stations like 2OV will have surpassed them in a big way. Posted on 12 Aug 2010 09:04
Stan Katz
RE: RADIO NEEDS TO LOSE SOME CONTROL-
The locus of power shifted to the audience a long time ago, possibly soon after the birth of Top 40 radio. I agree that the laser stabs and whooshes are irritating, but the democracy of the dial allows the audience to vote with its fingers.The problem is the lack of choice on the dial, which results in a few stations attracting large audiences by default and making obscene amounts of money in the process.The solution is to open the dial to more stations and for the regulator to promote fair competition. Besides, one of their obligations is "to ensure competition", which is impossible under the current dispensation. The privatised regional stations with their grandfathered adult contemporary formats are allowed to play whatever they want.In an apparent contradiction, the regulator is also charged with ensuring diversity of programming. This means that newcomers have to prove that what they offer is not currently available and that there is a need and a demand for their service. In the past, this has resulted in some greenfields licensees have being forced into niches that are not financially viable.One could argue that the regulations have created a duopoly of two groups, Kagiso and Primedia. Is this not the crux of the matter? An Act that promotes anti-competitive behaviour. Comment from Stan Katz. Posted on 12 Aug 2010 11:51
Richard
Why I left-
Hi Daryl, great article and hit the nail on the head, thank you. As someone who adopted radio / jock speak as a matter of wanting to remain in the industry I love, I feel slightly embarrassed that it took me a few years (too many) to wake to the fact that I was no longer a presenter with my own thoughts, opinions and ability to create decent and 2-way conversations with listeners but rather a talking billboard. Jocks / presenters no longer have the option to be themselves - we are fast becoming cook-cutter knockoff's there to deliver what the client wants rather than what the listener wants. Dangerous territory.

Recently left mainstream radio to start an internet radio station purely based on the above. We don't have the same audience figures by any stretch of the imagination but we have fun, are engaging and so far have yet giveaway loyalty points on air to create interaction.

Have to admit though - as a child of Top 40 radio from the 80's and 90's I still love my laser's and over produced stings...somethings will never change ;)

Thanks again for a great article.
RH Posted on 14 Aug 2010 08:45
Gerrit
Jockspeak is insulting-
This jockspeak really irritates me. It's an insult to my integrity when the station I listen to i.e. Heart104.9 FM in CT and its DJ's try to convince me with their false enthusiasm that they are really and truly a loyal users of the product or service. Get real and drop the big “ego’s” and serve your listeners with real content. Posted on 16 Aug 2010 17:39
jon monsoon
format-free is the way forward-
Jon Savage's rock show on 5FM (thursday nights) is a massive step in the right direction, for 5 certianly. Here's a MUSICIAN acting as DJ (not the other way around!), given almost free-reign over his format - the result is informed, entertaining and engaging, ego-free radio with the kind of music and opinion you just won't hear anywhere else, and that is promising. His show currently remains the only reason to tune into that station, in an era of boring, dumbed-down and bland bland bland commercial music radio. Posted on 17 Aug 2010 09:32
Dean
Out with the old-
I heard many people in the industry use the saying "you're job is to give prospects to advertisers" KAK !!! Another "Grandfathered" quote. Sales is in the business of the above, Presenters are in the business of giving prospects to the listeners, exactly what is as stated in the above article. Posted on 24 Aug 2010 09:22
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