Pichulik has become a well-loved and respected brand in a fairly short space of time. Aside from producing great product, what do you accredit this to?Genuine brand experiences, engaging with our loyal customers in authentic ways. Constantly engaging in new projects that push our creativity and audience. Being kind, as opposed to important, throwing aside any snobbish notions that exist in the fashion industry to favour engagement, dialogue and connections.
Speaking and walking your truth. Getting silent enough to hear your inner stirrings. I think the most outrageous thing you can do as a woman these days is to like yourself just as you are without changing. The beauty, fashion and even medical industry profit on our feelings of inadequacy. Bravery can start by a simple growing self-acceptance and self-worth that lead to self-care.
I think not having a traditional jewellery background means I don’t have a stagnant definition of what jewellery is – and I can play with these boundaries.
There are never really specific accolades, but moments of culmination when I look around at it all – my team, the pieces we make, our extended community – and feel endless gratitude and possibility.
Spontaneous, intuitive, multi-sensorial, tactile and deeply emotional.
This wing of the brand is led by Nadya von Stein. It serves to flesh out the brand’s aesthetic and will offer inspired seasonal edits that are timeless, sensual and imaginative.
The look and motifs from the Lena SS16 jewellery collection embellish the classic Southern European shoe, the espadrille. These shoes are 100% hand crafted. They go through many hands from Espadril to Pichulik before touching the wearer’s foot.
It’s incredibly exciting! There are endless possibilities for this to make a profitable and impactful contribution to our local economy.
Loads! I love Georgina Gratrix, Jody Paulsen, Daniella Mooney, West, Renee Rousseau, Dokter and Misses and Athi Pati Ruga.
Sea, Sex and Sun by Serge Gainsbourg.
