How has the third album “Last Dance of the Sugarplum Fairy” been received since its launch last week?
The media has been good to us and we have received some good comments on our Facebook and MySpace pages. Many of them are saying how different it is from the previous albums, as we knew they would, but feedback has been positive.
I read it in a book a while ago, the name stuck with me, and I really wanted to tie it in with the album. In this context, a “fairy” is something very dear to you in your life and you need to realise it can be taken away from you at any time. Be sure to look after your “fairies” and nurture them.
My favourite is “Run Away”. As a song, it is the one that is best tied-together. Lyrically, it is unique and says a lot. Musically, it is the best of three albums in terms of chord progressions. Also, it was one of the easier to put together.
I love the energy and immediacy that comes with live performances. In studio, a song only comes out about three to four months later and then you still have to sit back and wait for feedback. It is best to play songs live first before taking them to the studio. When you play live there is a lot of excitement that you can feed off. Also, from being on the road, you can meet new people, and see new places.
There are always ridiculous things happening. For example, I once almost lit a stage on fire in Mossel Bay. We also had the bassist lose his spectacles on stage once, and the look on his face was classic.
When I was kid, I always liked music and having it around me. I only took up guitar and started to play in high school at the age of 17, though, which is quite late compared to most. It pretty soon became more than a hobby, so I went to London to check out the scene over there. From the beginning I loved writing songs and I had written hundreds before I started The Sick Leaves in 2005.
The best part for me is writing new songs - seeing where they are going, developing them, and coming out with the complete song. Although you never know when a song is finished. A year or two will pass after recording and you'll think “why didn't do this?”, but that always happens as you gain more experience. The trick is to leave it once it is recorded. You can sometimes modify it live, but just for experimental reasons. All you can do is to work really hard at it - once you find you are going in circles and not moving forward, it is a good indication to stop.
I prefer to do solo song writing. It is a different process when you write songs with others - it is a compromise. I have tried it in the past, and I find it is a much quicker process when writing alone. It gets harder the more people there are. Some bands are lucky, though, they find a formula and write songs according to that.
Firstly, learn how to play an instrument and be as good as you can be on it. Secondly, surround yourself with the right people - realise that whatever it is you are gonna do, you cannot do it alone. One very important thing to keep in mind - probably the most important - is to get a manager or an agent to promote you. Remember, you should be focusing on the music. And, finally, don't do half a job. You need to go into this with everything you can. Stay committed and don't just do half a job.
My primary aim is to push the new album. We're playing Splashy Fen on 1 April and will be doing a whole bunch more live performances this year. I am also thinking about going overseas - most probably England. I feel The Sick Leaves' sound would work in England rather than in a diverse country like America, so I'm are going to aim there for now.
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Photographs by Schalk Groenewald www.pawz.co.za
